Is that a person – or a character from a computer game? NPC streamers imitate characters from games on camera and are paid by their fans to do so. This is sometimes an expensive pleasure for the users.
The term “NPC” may sound familiar to you: it is one of the top 10 youth words of 2023. NPCs originally stood for “Non Playable Characters”. They are marginal characters in computer games who are basically unimportant and therefore can hardly do anything. They often only have individual movements or reactions in their repertoire and thus appear absurdly robotic.
On TikTok it is precisely these rigid, short movements and utterances that become the attraction in so-called “NPC streams”. TikTokers initially sit motionless in front of the camera in the live stream. When viewers send them gifts in the form of colorful stickers, they react to them – again and again, always the same, with the same actions.
What may sound boring at first, enjoys great popularity on TikTok and co. Children and young people enjoy watching the live streams and observing the digital NPCs. It is the same effect that “living statues” in the pedestrian zone have on us: The funny situation of people behaving like statues or game pieces. Plus the brief moment of shock and fun when the coin falls into the hat and the character suddenly starts making strange movements. Some people reach into their pockets and pull out a few coins.
The problem with the digital version is that the stickers that are given away to TikTokers cost real money. Some more, some less. However, children and young people cannot buy the stickers individually, only in packs. These must be paid for by credit card or via the app store. Sometimes they are not even fully aware of these costs. A few funny pictures are quickly given away – and suddenly a lot of money is spent. Very successful streamers earn up to four-figure sums for an NPC appearance on TikTok.
It is therefore important for parents:
And once everything is clear and safe, you can simply enjoy a stream together with your child!
The smell of cookies, shopping stress, shining children’s eyes: the holidays are approaching and digital devices and games are on the wish lists of many children and young people. What should parents consider before and after giving a gift? Between the years and during the vacations, there is also time for shared family media experiences. How can this be designed in a safe, age-appropriate and even creative way?
We have come up with something special for the pre-Christmas virtual parents’ evening at Elternguide.online: Various experts have put together their best suggestions and tips. Look forward to input on creative children’s websites, streaming, games, safe smartphones, fun family media challenges and much more! fragFINN, the Freiwillige Selbstkontrolle Multimedia-Diensteanbieter (FSM), the JFF – Institut für Medienpädagogik in Forschung und Praxis, klicksafe and the Unterhaltungssoftware Selbstkontrolle (USK) are all involved!
Join us live and ask your questions – we will provide answers and be available for discussions!
Date: 04.12.2023 | Time: 5 to 6 pm
Speakers:
Melanie Endler (fragFINN)
Jo Schuler and Lidia de Reese (FSM e.V.)
Sophia Mellitzer (JFF)
Martin Bregenzer (klicksafe)
Maurice Matthieu (USK)
Platform: The virtual parents’ evening is realized via the tool “Zoom”.
Privacy Notice: Zoom is a service of Zoom Video Communications Inc. which is based in the USA. We use Zoom via the German operator easymeet24. easymeet24 ‘s server is located in Europe. Furthermore, within the Zoom service we have chosen the configurations with the highest data and security protection.
Please also take note of our privacy policy.
The event will be held in German.
Registration:
The Internet, especially social networks, floods us daily with countless news, messages and stories. In the process, it becomes increasingly difficult to distinguish between truth and deception. Teaching children how to recognize false information on the Internet is a real challenge. This article offers practical advice on how to deal with disinformation and false news on the Internet and how to talk to your child about it.
The many news items, reports and stories that we encounter every day usually come from television programs, daily newspapers, people in our environment or well-known personalities. Many are spread by lesser-known people on the Internet and through messenger services like WhatsApp. However, the senders also include websites and people who intentionally spread lies or half-truths in order to cause confusion. They deliberately spread disinformation, rumors, or even hateful messages designed to stir up insecurity and deliberately deceive us.
It is not only difficult for children and young people to distinguish trustworthy news from fake news. Because often these fake news are so skillfully made that at first glance they look like serious news . This can be problematic, especially when it comes to political contributions with an extremist or populist background or when conspiracy theories are spread. Content that can unsettle or frighten younger children in particular is also problematic. Deep fake videos in particular look deceptively real. Therefore, it is crucial to recognize the differences between disinformation, false news and satire.
Disinformation spreads especially when people are insecure anyway and even experts or politicians do not have answers to all questions – such as during the Corona crisis and the Ukraine war. Fake news often provides the answers you want and can help deal with uncertainty. Unfortunately, they are not true. Questions like “Are the vaccines safe, too?” or “Where does the virus come from?” are answered with inappropriate numbers and false facts. The problem with this is that the more often such articles are clicked on, the more often they are displayed – and people believe them to be true. That’s why it’s important to realize that not everything you read is necessarily true.
Determining whether it is indeed a hoax can be a tricky task. Therefore, it is helpful to follow clear steps to curb the spread of disinformation:
Check where the message came from and who wrote it. Is the author known and expert on the subject? Is it a reputable website?
Try to verify the message with different sources. Ask yourself how up-to-date the information is and check where the figures and data mentioned come from as well as the context in which they were collected.
Pay attention to the way the message is presented. Is the language serious and factual, or is emotional language and excessive capitalization used? Does the article contain catchwords such as “lying press” or similar provocative terms? Could the article be meant satirically?
Make sure photos and videos match the message and are up-to-date. Pay attention to captions and whether they actually represent what is being described or are from another context.
Discuss news and messages together as a family. Your child should understand that not everything on the Internet or sent via WhatsApp does not have to be true. If you check messages together, it can gradually learn to distinguish true from false. Ask for your child’s opinion and share your own thoughts. This will help you and your child be more confident and prepared to recognize and counter disinformation and fake news on the Internet.
Fake news spreads especially when many people forward or share it. Therefore, you should always consider whether a message can really be true. Here are some tips on where to check Fake News and how you and your child can learn to deal with it in a fun way:
What would it have looked like to have attended a US high school thirty years ago? This question is on the minds of many on the web right now. Under the hashtag #yearbookchallenge circulate on TikTok and Instagram numerous photos in the style of yearbook portraits from the 1990s. Behind the viral trend is a paid AI app.
In the Yearbook Challenge, users create photos of themselves in the style of an American yearbook from the 1990s using the app Epik – AI Photo Editor. The app uses artificial intelligence to rejuvenate the face and add different hairstyles, clothes and accessories. A challenge becomes who mixes his real yearbook photo under the new pictures and asks the followers which one is the original. Both celebrities and many influencers have already taken part in the trend.
“Just graduated from high school for $6.99! What do you think of the photos?”. The allure of transforming yourself into an American high school teenager is tied to all the myths and dreams surrounding a school days in the US. Teenagers enjoy using AI apps to edit their own selfies so that they look like something out of a high school series. In addition, it is exciting for them to receive photos that look similar to the pictures from their parents’ youth. Many young people also emulate their role models on social media and want to get in on the current trend as well.
Several selfies are needed for photo editing. The South Korean app developer SNOW is behind the app Epik. Anyone who uploads photos agrees that they will be stored and processed by the app. In addition, personal data must be entered in the app. The AI-generated photos borrow heavily from gender stereotypes such as poses and clothing, and beauty ideals such as smooth skin and symmetrical faces. The AI app erases irregularities of the original images altogether. Full body photos in particular are greatly altered by making them slimmer. Similar to the use of face filters, participating in the Yearbook Challenge can lead to distorted self-perception and unhealthy comparison to supposedly perfect bodies of others.
If your child would like to participate in the Yearbook Challenge, here are some things to keep in mind:
The app can be fun and creative way to see yourself in different roles and ages. Why not try out different AI image generators together and talk about the results?
Terrible rocket attacks, traumatized war victims, families on the run – images of violence and destruction from the war in the Middle East and Ukraine dominate the news. On Elternguide.online you will find the following information on dealing with the topic of war in the media:
The current time is characterized by crises, new conflicts and wars are flaring up again and again. On the smartphone, in conversations in the playground or on TV – children also hear about these terrible events. Keeping children away from news altogether is neither possible nor advisable. Rather, take your child’s questions and concerns seriously and help him or her process stressful messages. In this article, we explain how to guide your child regarding news of war and where to find child-friendly information about war.
News programs for adults such as the Tagesschau are not suitable for children. The drastic images can trigger fears and the content is often difficult for children to understand. However, that doesn’t mean your child has to be kept away from news altogether. There are high-quality media offerings that enable children and young people to gain an overview of the current world situation. There, they receive comprehensible answers to their questions and safe, age-appropriate information on global crises. We present recommended websites, videos, audios and social media channels that are specifically tailored to the needs of young people in this article. For an extensive list of child-friendly news on the war in the Middle East as well as the war in Ukraine, visit Flimmo.
Social media users are getting unfiltered war content flushed into their timelines. Algorithms on Instagram, YouTube and the like mean that even children and young people are unintentionally exposed to content that they do not want to see or that is unsuitable for them. In addition, children and young people actively use social media offerings as a search engine and source of information. In addition to harrowing live reports from those affected in crisis areas, the posts also include disinformation, fake news and conspiracy myths. TikTok is particularly challenging in this regard. The endless feed of short videos encourages doomscrolling, and the platform is used particularly heavily for propaganda and influencing opinion. To learn how to help your child deal with war content on TikTok, check out this article.
Stay engaged with your child on current crisis issues, make appropriate news sources accessible to them, and don’t leave them alone with bad news. If your child is older, strengthen their information literacy skills and educate them about challenges with social media use like fake news. Be a role model by using news from verified sources yourself and use age-appropriate information services together with your child. Looking and empathizing is important. But if you notice that it’s getting too much for your child – consciously switch off and help your child avoid excessive digital stress.
Addiction, violence, conspiracy theories, cyberbullying – sometimes you can get the impression that the Internet only brings out the worst in us.
But they do exist: the good sites on the worldwide web. The positive and age-appropriate content, the good news, the community and cohesion. We present valuable digital offerings for children and young people.
For the youngest users, the Internet is a vast space that is difficult to navigate at first. There is a gigantic offer of pages and content. But beware: most of the sites are aimed at adults.
Especially the classic access to the web via Google -search engine often leads to results that are, at best, boring and incomprehensible for children, at worst, frightening and traumatizing. But there are other ways: With children of kindergarten and elementary school age, parents are best off turning before Google – and using children’s search engines. The best-known search engines are Blinde Kuh and fragFINN. Here, every search displays child-friendly, vetted sites that are guaranteed to be fun.
If you are looking for good websites or apps, you don’t have to despair at the flood of offers, but will find recommendations and tips bundled together. Seitenstark features more than 60 tested children’s websites with high standards of quality and protection of children and young people from harmful media. Here children can find everything on topics such as nature and the environment, music and film, history and politics, or religion. The app database of the DJI (German Youth Institute) presents good children’s apps. Those interested in news will find age-appropriate information on news sites for children. The EU initiative klicksafe gives children valuable tips on how to use media safely.
But the offer does not have to remain purely passive: many websites offer opportunities to participate, such as the safe photo community Knipsclub, the portal Kindersache or other participation platforms.
And when the children get older? Then, in most cases, inappropriate search results are no longer the problem. Young people are moving more independently online, using social media platforms in particular for information and exchange. There they are confronted with many things – from negative headlines and political extremes to communication risks such as hate and bullying. And dubious role models, unrealistic life goals, such as those conveyed by influencers, can also be problematic.
For parents, it’s important to stay in communication with their child about what content they encounter online, what’s okay – and where they should rather steer clear.
Also, parents can give suggestions on valuable sites on the net. If you’re looking for positive news, for example, you’ll find it on sites like https://goodnews.eu/ or ZDF ‘s “Good News”. And thus perhaps creates a balance to the eternal negative news spiral, the doomscrolling.
There are many people and providers on social media platforms who stand for good, positive topics and values – and also good dealings. Starting with activists like Luisa Neubauer on Instagram for the climate or Raul Krauthausen on Facebook for inclusion. Under hashtags like #bodypositivity, stars like Sarah Nicole Landry convey a positive body image. This can be good for adolescents going through puberty.
And the great thing is that if you start following positive people and content, the algorithm helps you right along and flushes even more pleasant content onto your screen. This can quickly create a friendlier, more positive bubble where young people can feel more comfortable and safe than in the unfiltered social media world.
Whether for children, teenagers or adults, one thing is clear: There’s everything on the Internet. The good news and the bad, the beautiful sides and the terrible, the nice encounters and the unpleasant ones. Just everything that people have up their sleeves. And on and offline, we can and must choose well for ourselves what we want to occupy ourselves with.
Therefore, accompany your child to the net. Use – in consultation with your child – solutions for technical youth media protection such as settings on the smartphone, youth protection apps or special software. This can be used to secure devices and filter out content that is not age-appropriate.
Show your child the “good parts,” suggest content, and also talk about how they can choose content, why they should choose critically, and the impact the people and issues we engage with every day can have on us. The klicksafe materials, for example, are suitable for discussions about media use or for agreeing on rules with each other.
And if you do have unpleasant encounters with hate, extremism or the like, it’s also good to know the right places to go. We present these to you in the article “Digital counseling services for young people and parents“.
The latest news, preparation for a paper or the weather forecast – check TikTok right away. Teenagers and young adults in particular are frequent users of social media platforms such as TikTok and YouTube as search engines. This can work, but it also brings its own unique challenges.
It was taken for granted for a long time – if you want to find something on the Internet, you “Google” it. But that seems to be faltering. Young people are increasingly starting their online searches on social media platforms such as YouTube, TikTok and the like. In some statistics, YouTube even appears as the second largest search engine after Google – and the trend is rising.
Why? That’s quite simple: Social media is the digital home of many young people anyway. That’s where they know their way around, that’s where they feel comfortable – and that’s why they have great confidence in the search results. When young people search here for products, events or places, the results are mostly (seemingly) personal recommendations and experiences from celebrities or from the community, instead of rather impersonal and complicated web links. This makes a credible and approachable impression on young people. In addition, videos or images are easier and more entertaining than eternal clicking through text deserts.
Platforms like TikTok and YouTube are responding to young people’s need to be able to search content easily. TikTok, for example, has made the search field significantly larger and more prominent, and now offers a widget for smartphones that can be used to operate the TikTok search directly from the home screen. The term “widget” comes from English and is a compound word from “window” = window and gadget = technical gadget. “Widget” refers to a type of interactive window.
But how can children and young people distinguish trustworthy from dubious information on social media? Is everything there really as authentic as it sometimes seems?
Because, of course, influencers are not always the nice buddies next door – but earn a lot of money with their appearances and recommendations. So if a restaurant is praised here with particularly warm words, it may well be that there is simply a particularly lucrative advertising contract behind it.
In addition, classic advertisements also appear on social networks. The algorithm also still has a say and constantly presents us with similar results – just like other search engines. And caution is also called for in other respects: In addition to serious information, fake news or even deliberate propaganda from various interest groups can also be found on the networks. Social media platforms often collect and collate at least as much data as traditional search engines.
As a parent, you should think carefully with your child about how to use the search function of social media services safely:
Show interest in your child’s media use and his or her favorite offerings on TikTok and Co. Encourage your child to use social media platforms critically. Only if your child knows the possibilities and also the advantages and disadvantages of different offers, he can choose consciously and purposefully.
Cyberbullying, harassment, extremist content – some app and social network operators can delete images and other content if it is brought to their attention. A crucial step in this direction is reporting online problems. This article introduces hotlines.
Reporting problematic behavior or content enables the responsible institutions and organizations to act quickly and protect your child. By reporting, you can help prevent similar incidents in the future, for example by removing a shocking video. In some cases, problematic online behavior can have criminal consequences. Reporting such incidents can help ensure that perpetrators are held accountable.
Some of the most common types of online problems that should be reported:
You can always report a problem directly in the app where it occurs. For example, if it violates the usage policy, threatens security, or harasses. Or when it is urgent and requires immediate action. Reporting in the app enables faster response and action from app administrators. To do this, look for an option like “Report,” “Send feedback,” or “Help” – these are often located in the app’s settings or menu.
In addition, there are official hotlines set up specifically to report problematic online behavior:
Young people and parents can report online problems such as cyberbullying, harassment or inappropriate content to the contact point. The website provides clear guidance and resources to help parents understand and carry out the reporting process. You will also find information on the rights of children and young people in the digital space.
The FSM is an institution concerned with the protection of children and young people in the media. The FSM’s complaints office enables parents and other users to report problematic content on the Internet. The complaints office examines the reports and can take action to stop the dissemination of problematic content if necessary.
This government agency deals with the protection of minors from harmful media in Germany. Here you can report violations related to content harmful to minors. The website provides clear guidance and advice on how to report problematic content. In addition, jugendschutz.net informs about current developments in the field of youth media protection.
The Internet Complaint Center is a central point of contact for reporting illegal content on the Internet, especially in connection with child sexual abuse. It works closely with the relevant law enforcement agencies to remove such content and prosecute offenders.
Familiarize yourself with the various reporting options. Do not hesitate to take advantage of them. Educate your child about potential conflicts online. Encourage it to tell you about problems. Use parental control settings and programs.
Keep an eye on your child’s online activities and stay in the loop so you can respond to problems early.
In addition, if you feel overwhelmed or unsure about how to deal with certain online issues, you can seek counseling services. There are some counseling services for youth and parents. The number against sorrow offers, for example, a youth counseling service and a parents’ hotline for problems such as excessive demands, worries or parenting problems.
Whether it’s a podcast, book, magazine, series or movie – true crime and true crime cases are all the rage right now. The “true crime” genre is also exciting for young people. But where does the fascination come from and what should you pay attention to as a parent?
True Crime is not a fictional story, but a retelling of real criminal cases. The crimes described, often missing persons or homicide cases, are often unusual or have received special media attention because the legal decision was controversial. The fact that the cases actually happened makes them seem authentic in the eyes of the viewers. The criminal cases are told in very different ways: There are documentaries that portray the cases rather factually and close to reality. Other representations look like a movie – in them scenes are re-enacted or details are invented to make the stories even more interesting.
For users, the excitement lies above all in being “there” when a true crime is solved or explained. Real people did these things for specific reasons, and you want to know more about the motives for the act and the closer circumstances. In most cases, investigators or relatives of the victims also have their say and describe what happened from their perspective.
Telling exciting and, above all, real stories triggers thrills in many people. Putting themselves in the victim’s shoes, fathoming the motives of perpetrators, puzzling along and interpreting deeds – children and young people are attracted to reliving real criminal cases. Especially for young people, the study of the human psyche and personality development is interesting. Also attracting the penchant for the “forbidden” and unusual of these stories. When children reach puberty, they want to test their limits. This also includes watching or listening to things that are not actually suitable for their age because they can be stressful or frightening. While many older children and adolescents experience true-crime stories as entertaining and, for example, use “their” crime podcast during long train rides or while cleaning their rooms, younger children are often overwhelmed by the crime cases narrated.
The popularity of the genre means that there is an ever-increasing supply. Young people who particularly like the format may watch little other content. This can narrow their view of the world, which seems to be nothing but bleak and violent.
The depiction of real acts of violence can make children and young people afraid of becoming victims of crime themselves. Young people are particularly affected by scenes that they can identify with, such as violence against children or stories about relationships in families and partnerships. Younger people in particular often fail to recognize that a crime occurred many years ago or that a depiction is deliberately exaggerated to create suspense.
Not every series or podcast is equally carefully researched. Stories are circulating that may not have happened that way. In part, reality is distorted or simplified because it would be too costly and uninteresting to depict the real processes of a case with lengthy court hearings, interviews, etc.
Often, the perpetrator or the perpetrator is the focus of a true crime story. This can lead to viewers being fascinated by that person, which in turn can trivialize the acts themselves and diminish compassion for the victims.
The handling of gender roles within the genre should also be viewed critically. In many stories, the victims are female. Women are often portrayed as powerless and defenseless rather than empowered and strong.
Every story told touches children and young people differently. There are elements in true-crime stories that can overwhelm, unsettle, or frighten young people. Therefore, you should make sure that the true-crime show or podcast is also approved or recommended for your child’s age. Keep an eye on what your child is looking at and seek conversation.
Educate your child about the fact that not all true-crime formats are fact-based and how to verify their truthfulness – especially when it comes to trash TV shows. Ask what fascinates your child about True Crime. Whether the focus is on thrills, guesswork, or interest in investigative work: Don’t lose sight of the fact that this is True Crime, real crimes that have caused real suffering.
Read more: The project “True.Crime.Story” by Selbstkontrolle Fernsehen e. V. (FSF) and the JFF – Institut für Medienpädagogik (Institute for Media Education) investigated how young people view true-crime formats. Videos with voices of the interviewed young people and a report can be found on the website of Medienradar.
There are children and teenagers who spend a lot of time on TikTok spend. They watch short videos from others or produce their own TikToks. What exactly they look at there and publish themselves, many parents do not know and worry – also about the fact that their child can come into contact with strangers .
In response to criticism, TikTok introduced the “accompanied mode” for parental control back in 2020, which was revised again in 2023. This allows you, as the parent or guardian, to control how long the app can be used, whether private messages can be sent and received, and what content is displayed on the “For You” page. Click here for a detailed presentation of the app.
It’s understandable that you, as a parent, are concerned when your child is on social media platforms. Therefore, before using such apps, you should calmly talk to your child about what they are interested in. Explain your concerns to him and make him understand what risks there are in using it. If you are okay with your child using TikTok, ask regularly and stay interested. Let them show you what your child is doing there.
The app is not suitable for children under the age of 13 – as stated in TikTok‘s terms of use. Parents up to 16 years of age must also consent to the use. Make sure that your child really gives his or her correct date of birth. Because this affects the default settings of the app and the accompanied mode. TikTok itself is automatically set to “private” there and has a maximum usage time of 60 minutes a day for the youngest users.
Often children are already interested in the app beforehand. If your child wants to use TikTok, consider whether they might watch TikTok videos without their own account first. Because this is possible via a browser!
If your child is allowed to create a TikTok account with your permission and you choose to use the Accompanied Mode set it up as follows:
TikTok must be installed on your child’s smartphone and on your own device. You can find the Accompanied Mode in the “Digital Wellbeing” settings under “Privacy and Settings”. On the parent’s device, clicking on it opens a QR code that is scanned with your child’s smartphone. By doing so, your child agrees that you, as the parent, may control its use. IMPORTANT: Talk to your child beforehand about the functions in accompanied mode and consider together what should be switched on and to what extent:
TikTok would like to establish a “TikTok Youth Advisory Board” during 2023 to engage with the community itself on how to further develop the app.
Note that there are other setting options in TikTok outside of Accompanied Modethat should definitely be enabled. For example, make sure the account is set to private so that your child’s videos can’t be seen by strangers. For users between the ages of 13 and 15, TikTok makes this setting automatically – but you should definitely talk to your child about what the advantage is and why they should leave it that way or set it that way themselves from 16.
As a parent, you cannot track what content is being viewed. They also cannot read messages or comments, so your child’s privacy is preserved as much as possible. If you trust your child and he or she is already able to use media consciously and safely, it is certainly nicer to be able to do without this control option. Regularly discuss with your child whether the settings still fit as they are, or whether you can change certain settings.
Sharing children’s photos online, chatting in Minecraft or setting up the first smartphone – in everyday family life with media, there are many points of contact with the topic of privacy. But what exactly does privacy mean? And what can parents do to adequately protect their child’s privacy on the Internet? That’s what this article is about.
When we talk about privacy, we mean the personal space in a person’s life. That’s the part that’s around us where we can do things privately. In the realm of privacy, we can live our lives the way we want without it being anyone else’s business.
While we protect ourselves from prying eyes at home with curtains, there are other things we need to watch out for in the digital world. Maintaining privacy on the Internet specifically means protecting personal information and activities online. This includes personal data such as name, age, address and other private details. This starts even before birth with the sharing of ultrasound pictures, continues with the use of baby monitor apps and ends with smart toys in the nursery. As soon as your child is consciously on the Internet, you should discuss the topic of privacy on the Internet with him or her and explain to your child how to handle private information and online activities prudently. Make it clear to your child that he or she should not share personal details with strangers. Educate your child about scamming online. Make them aware of how they can recognize subscription traps, fake sweepstakes and the like in order to prevent the criminal misuse of their own data.
By the time they move on to secondary school at the latest, many children receive their first smartphone of their own. Depending on which phone your child has (Apple or Android), there are ways to set certain settings for apps to protect privacy:
In today’s connected world, it is very important to protect your child’s privacy, especially when using social media platforms:
Solutions for technical youth media protection such as parental control programs or the accompanied mode on TikTok are one way to increase your child’s safety when using media. However, they do not replace your responsible role in media education. An open conversation between you as parents and your child about what they are experiencing online is very important to help them navigate the web safely and responsibly.
A life without Benjamin Blümchen, My Friend Connie and the Grüffelo is unthinkable, especially for younger children. You probably remember your own favorite cassettes or radio play CDs from your childhood. As a modern variant of the classic listening media, there are nowadays so-called listening boxes. But what exactly can Tonie, Tigerbox and Co. actually do?
Listening boxes, also called music boxes, are available from various suppliers. Depending on the manufacturer, the prices differ, but are mostly under 100, – €. When you buy a box, stories are often included. However, if you want more audio stories or songs for your child, there may be subsequent costs.
The boxes all work on a similar principle: they are child-friendly and usually designed like a cube. Above all, they are easy to use. Colorful pens or figurines in the form of animals that you plug into the audio box, or connect via Bluetooth, can play all kinds of stories. You can also get creative yourself and record (your own) stories.
Listening boxes are specially designed to meet the needs and motor skills of younger children and are designed not to break quickly. The few functions are easy to perform, so your child can operate the box independently. Selecting and starting stories themselves, pausing, stopping or exchanging them as needed – the young users can do all this on their own. Children as young as about two years old can operate the devices intuitively. This can boost your child’s self-confidence.
Some boxes offer the possibility to set a time limit. This will help your child stick to agreed upon listening times.
Audio boxes can be used to play audio games and music, whether for entertainment or to learn new things. If the stories are stored on animal figures or similar, these figures can also be used as toys.
Find out about the different listening boxes to decide which one is right for your child. What is the right shape? Are the stories stored on some kind of USB stick or does the box always have to be connected to the Internet? How much do new stories cost?
Research what age the stories you want to listen to with the box are appropriate for. Since your child can also use the listening box on his or her own, an age-appropriate selection is especially important. Also inquire about the data protection of the respective box: What private data is collected? How is the personal information of the users protected?
We present the most popular boxes in more detail on the Parents’ Guide: Tigerbox, Toniebox and Hörbert.
An audio box does not replace the togetherness of your own reading aloud: Regularly take the time to read to your child from their favorite book or listen to the audio stories from the box together.
For parents, it is a challenge to keep track of the huge range on offer on TV and streaming platforms: Movies and TV shows, series, non-fictional formats such as reports and documentaries, casting, stunt and game shows, erotic offerings, music videos and docu-soaps or coaching programs. Which media content is age-appropriate for my child, which is unsuitable and which should I protect my child from? An initial orientation for age-appropriate programs is provided by the age ratings and the associated broadcast times – they are often based on a rating by Freiwillige Selbstkontrolle Fernsehen e.V. (FSF).
The FSF is a non-profit, legally recognized association that supports private television broadcasters, telemedia providers and streaming services in implementing youth protection regulations in Germany. To this end, the FSF offers content review by independent experts who set age ratings and broadcast times, identify objectionable content, and recommend cuts if necessary.
The basis for the audit is the Interstate Treaty on the Protection of Minors in the Media (JMStV), which regulates the protection of minors from unsuitable media content. The aim is to protect children and young people from content that is harmful to their development, e.g. drastic depictions of violence, excessively frightening scenes or questionable role models. This content is rated with the ability of different age groups in mind and given a clearance of 6, 12, 16 or 18. In media libraries or streaming services, these age indicators are displayed; on TV, they are associated with specific broadcast times:
The age ratings are also stored by many providers as technical identifiers that can be recognized by youth protection programs. More information is available here on the FSF website.
The FSF reviews content of all genres, especially series, documentaries and films shown on television or online platforms. But commercials and program trailers, music videos, show formats, docu-soaps or reportage and news programs can also be relevant to youth protection and submitted for review.
The FSF reviews content submitted by TV broadcasters or streaming service providers upon request. The evaluation takes place in examination committees with three or five independent examiners. They come from different disciplines such as media education, psychology, media science or law. A program is screened and possible risks are discussed. The decision for the appropriate age rating is made by simple majority. More information on program review can be found on the FSF website.
The key risk areas are violence, fear and disorientation. Essential for the evaluation is the context.
In the case of depictions of violence, for example, the question is whether the violence appears positive overall and could thus increase children’s and young people’s willingness to engage in violence and conflict: Is the depicted violence more likely to be endorsed or rejected? Is it presented as something fascinating? Does it seem more artificial or realistic? Is it exercised by the villain or the hero or heroine? And is it successful in the end?
Similar questions arise in the case of the effect risk of disorientation, e.g. in the case of representations of prejudices or role clichés, of drug abuse or of risky behavior: Do problematic behaviors appear attractive and worthy of imitation or are they critically commented on or rejected?
Risks of excessive anxiety come into consideration especially in the lower age groups. Younger children often cannot adequately process moments of shock or images of violence or injury or separate themselves from stressful issues such as parental separation.
The extent to which media content is likely to trigger fears or negatively influence the values of children and young people depends on the ability of the respective age group to cope with stressful scenes and to classify and question problematic statements. More information on impact risks is available on the FSF website.
Age ratings and broadcast times are a guide, but should not be the sole basis for media selection. Each child develops individually and has different needs and levels of maturity. Therefore, use other information to assess whether a content is suitable for your child and fits his or her personal situation. Age ratings are not recommendations!
Accompany your child’s media use. Talk to him about his media experiences and help him understand and classify media content. The FSF’s assessments can help you make informed, age-appropriate choices.
Parents can contact the FSF Complaints Office with comments and complaints about TV or streaming content. In justified cases, an audit will be initiated.
Whether in the cinema, on DVDs, when streaming series or watching TV – children, young people and parents frequently encounter the FSK age labels in their everyday media lives. Find out what’s behind the FSK ratings, how the ratings can help parents choose appropriate movies and protect young people from potentially inappropriate content in this article.
The FSK stands for “Voluntary Self-Regulation of the Film Industry.” It is a German institution concerned with the age rating of cinematic content on all distribution channels such as cinema, DVD/Blu-ray and streaming.
The FSK’s task is to classify and label movies and videos in an age-appropriate manner. In doing so, they examine the entire content and the portrayal of problematic aspects such as violence and sexuality. The labeling with an age rating takes the form of colored symbols such as “from 0” or “from 6”. The symbols can be found, for example, on packaging such as the DVD case or on movie posters.
The FSK ratings are based on the German Youth Protection Act (JuSchG). It contains legal provisions to protect children and young people from inappropriate content. The FSK is not a state institution, but a self-regulatory body of the film industry, which in Germany is supported by various interest groups under the umbrella of the umbrella organization of the film industry. However, state representatives are directly involved in the audits.
The FSK evaluates various media in the film and entertainment industry when a review is requested, in particular
Not all media are rated by the FSK. Computer games are checked by the Entertainment Software Self-Regulation Body (USK), while the Voluntary Self-Regulation Body for Television (FSF e.V.) is (also) responsible for television content and streaming services.
The age restrictions serve to protect minors in Germany and are based on the media competence attributed to different age groups of children and young people. Volunteer examiners from all over Germany work at the FSK. They come from different professional fields, e.g. journalism, media studies, education and justice.
The committee examinations take place at the FSK in Wiesbaden. After viewing the films and videos together, they discuss and vote on the age rating. The basis for the rating is the Youth Protection Act and the principles of the FSK. Consideration is given to plot, dialogue, character portrayal, visuals, specific themes such as violence and sexuality, and music.
Alternatively, after training, applicants can have their content rated using the FSK classification tool. The final decision on the test result is then made by the state representatives at the FSC. More information on the testing procedures can be found in the FSC’s principles and on the FSC website.
The following indications and problem areas have particular relevance for the respective release:
Since 2023, the FSK has been implementing a new provision in the German Protection of Minors Act and adding additional information to the known age ratings. These so-called “descriptors” are intended to explain the main reasons for the release and thus offer families more guidance when selecting films and series. More information can be found on the FSC website.
The FSK’s age ratings serve to protect minors, ensuring that children and young people are not adversely affected by content that is unsuitable for them. The releases are binding, which means, for example: films from the age of 12 may only be viewed by younger children in the cinema when accompanied by an adult.
The state does not determine what movies children can watch at home. Parents can also make media accessible to their children that are not approved for their age. In doing so, they must not neglect their duty to educate:
The Entertainment Software Self-Regulation Body (USK) is the voluntary self-regulation body of the games industry. It is responsible for age rating reviews of digital games in Germany.
The USK is recognized as a competent self-regulator under both the German Federal Youth Protection Act and the Interstate Treaty on the Protection of Minors in the Media. In the area of the German Youth Protection Act, state representatives issue the statutory age ratings at the end of a USK procedure on the recommendation of independent youth protection experts.
In addition, the USK assigns age ratings within the international IARC system (International Age Rating Coalition) for online games and apps. In addition, the USK supports companies from the games industry in complying with and further developing the protection of minors in the gaming sector, for example in the area of technical protection of minors, and is involved in the area of media education, among other things with initiatives such as the Elternguide.online.
The games applied for USK testing are played through completely by trained volunteer reviewers and then presented to a testing panel that is independent of the games industry. The review panel consists of four youth protection experts and one permanent representative of the supreme state youth authorities (OLJB). The youth protection experts come from academia, media education, church institutions and youth facilities, and have experience in working with media and with children and young people. After extensive discussion, the youth protection experts recommend an age rating. The OLJB Permanent Representative may adopt or appeal this age release. Subsequently, the USK receives the test result and communicates it to the applicants. If they also do not appeal, triggering a new review, the game will receive the legal age rating by the OLJB’s Permanent Representation to the USK.
In the online area, the USK assigns age ratings within the framework of the international system IARC (International Age Rating Coalition). This is an association of the various organizations responsible for age rating worldwide, such as ESRB (Entertainment Software Rating Board) in the USA, PEGI (Pan European Game Information) in Europe, ClassInd (Classificação Indicativa) in Brazil, GRAC (Game Rating and Administration Committee) in South Korea, ACB (Australian Classification Board) in Australia and the USK in Germany. At IARC, online game and app providers go through a questionnaire on content relevant to youth protection. An age rating is then issued from the respective entries according to the specifications and criteria of the respective national self-regulation (for Germany, the USK). In all distribution platforms connected to this system, age ratings from the USK are thus available. Connected systems include the Google Playstore, Nintendo eShop, Xbox Store, Sony Playstation Store, and Oculus Store.
There are set criteria for the age rating of digital games. These guiding criteria are decided and adapted by the USK’s advisory board, which is made up of various social groups. The guiding criteria serve as a basis for review panels in assessing the risks of possible developmental impairment to children and adolescents when playing games that are not age-appropriate. They provide support in the decision-making process.
The focus is on the presumption of impact, i.e. the extent to which young people’s development could be impaired or even endangered. These include criteria such as the atmosphere in the game, violence or pressure to act. Since 2023, so-called “usage risks”, for example functions such as chats, in-game purchases or location sharing, have also been taken into account in the youth protection review and can have an influence on the age rating. More information about the USK’s guiding criteria can be found on the USK’s website.
The age rating symbols awarded include USK 0 (released without age restriction), USK 6, USK 12, USK 16 and USK 18 (no youth rating).
Since January 2023, the USK’s age rating labels have included additional information about the reasons for the age rating as well as existing online functions in the game. In this way, parents can see at a glance which reasons led to the age rating (for example, “comic book violence” or “pressure to act”) and which risks should be kept in mind when using media (for example, “chats”, “in-game purchases” or “location sharing”). The notices can be found on the back of the game packaging, on the corresponding online platforms and in the USK title database.
In principle, the state does not regulate with its age labels how and what media content parents make available to their children at home. However, parents should only give or allow their children to play games that have an appropriate age rating. However, the labels do not provide any information about the difficulty level of a game or its respective pedagogical suitability. An educational assessment on digital games is provided, for example, by the NRW Game Guide, which is funded by the state of North Rhine-Westphalia.
Three tips for parents from the USK:
